Edvard Drugi je stara zares stara igra, ki jo je napisal Christopher Marlowe v elizabetinskih Äasih zgodnje moderne anglešÄine, korzetov in umazanije, veliko umazanije. Imela je že veliko reinterpretacij, eno od njih v ljubljanski Drami.
Niti sanja se mi ne kako dolgo je že v repertoarju, vendar sem jo šel gledat prejšnji petek. Zastonj. Ja, prijazni gospodje in gospe gledališÄa so talali po dve karte za eno od štirih predstav vsem lastnikom abonmajskih vstopnic. Eden takih sem bil tudi sam in tako sem izbral Edvarda Drugega, ker mi je bila od vse izbire najmanj poznana.
Drama je bila, nepresenetljivo, nabito polna s samo dvema meni znanima praznima sedežema v, na sreÄo, taki poziciji, da sem lahko prestavil svojo rit v iskanju boljšega pogleda. Res bi bilo treba nekaj storiti glede vidljivosti v tej stoletni hiši ... Kakorkoli, predstava je bila razumsko dolga in zanimiv ogled. Igralci so spektakularno uprizorili tako staro predstavo in celo pomanjkanje scenografije je dodalo pridihu elizabetinskega dvorišÄa. ObÄutek je bil pravi, Äeprav je bilo prviÄ videti zadnjo steno odra malÄek dolgoÄasno.
Ko je glavni igralec, Škof, slekel vsa oblaÄila, je bilo vse skupaj nekako presenetljivo, saj se kaj takega nedvomno v pravem Äasovnem obdobju ne bi na odru nikoli zgodilo. Ko pa so ga zaÄeli stresati krÄi in je njegova oprema letala naokoli je stvar skoraj prestopila v polje grozljivke. Ampak kaj Ämo, tako je paÄ moderno gledališÄe, nagota povsod.
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